Artworks

Buy original artworks and limited edition archival prints by Jes Zilla in the shop at jeszilla.art.

See Exhibitions for artwork available at current and upcoming exhibitions and events.


Click or tap on any of the images to view more detail. All of my artworks are accompanied by a brief story that may help jumpstart your connection to each piece.

tête-à-tête 1
6” x 12” x 1.5”

acrylic and ink on wood panel

tête-à-tête 1

tête-à-tête 2
6” x 12” x 1.5”

acrylic and ink on wood panel

tête-à-tête 2

rising tide
20” x 20” x 1.5”
acrylic, hand-cut paper, and pencil on canvas

rising tide

forced energy
24″ x 24″ x 1.5″
acrylic, paper, and ink on canvas

forced energy

interruption
24” x 24” x 1.5″
acrylic, paper, and ink on canvas

interruption

arrival
24” x 24” x 1.5”
acrylic, paper, and pencil on canvas

arrival

anticipation
24” x 24” x 1.5”
acrylic, paper, and ink on canvas

anticipation

resolutions
12” x 12” x 1.5”
acrylic and ink on wood panel

resolutions

dissociation
24″ x 24″ x 1.5″
acrylic and ink on canvas

dissociation

whisper
24″ x 24″ x 1.5″
acrylic, hand-cut paper, and ink on canvas

whisper

psychic metronome
24″ x 24″ x 1.5″
acrylic, hand-cut paper, and ink on canvas

psychic metronome

ghosted
20″ x 20″ x 1.5″
acrylic, hand-cut paper, ink, and pencil on canvas

ghosted

the little things
9.5” x 9.5” x 0.5”
acrylic, hand-cut paper, and ink on canvas board, framed

the little things

flourish
9.5” x 9.5” x 0.5”
acrylic, hand-cut paper, and ink on canvas board, framed

flourish

gray area 1
8” x 8”
acrylic, paper, and ink on watercolor paper, matted

gray area 1

gray area 2
8” x 8”
acrylic, paper, and ink on watercolor paper, matted

gray area 2

gray area 3
8” x 8”
acrylic, paper, and ink on watercolor paper, matted

gray area 3

support system
20” x 20” x 1.5”
acrylic, hand-cut paper, and ink on canvas

support system

square one, square eleven
9.5” x 9.5” x 0.5”
acrylic, hand-cut paper, and pencil on canvas board, framed

square one, square eleven

winter solstice
9.5” x 9.5” x 0.5”
acrylic, paper, and ink on canvas board, framed

winter solstice

morning twilight
9.5” x 9.5” x 0.5”
acrylic, hand-cut paper, and pencil on canvas board, framed

morning twilight

waiting for spring
20″ x 20″ x 1.5″
acrylic, ink, and pencil on canvas

waiting for spring

expectation
20″ x 20″ x 1.5″
acrylic, hand-cut paper, and ink on canvas

expectation

chaos theory
20″ x 20″ x 1.5″
acrylic and ink on canvas

chaos theory

reflection
20″ x 20″ x 1.5″
acrylic and ink on canvas

reflection

murmuration
20″ x 20″ x 1.5″
acrylic, hand-cut paper, and pencil on canvas

murmuration

imbalance
9.5” x 9.5” x 0.5″
acrylic, hand-cut paper, and pencil on canvas board and canvas

imbalance

suspended animation
4” x 4” in 9.5” x 9.5” frame
acrylic, ink, and pencil on canvas board, framed

suspended animation

crepuscular
20” x 20” x 1.5”
acrylic, hand-cut paper, and pencil on canvas

crepuscular

continuum
9.5” x 9.5” x 0.5”
acrylic, hand-cut paper, ink and pencil on canvas board

continuum

released relief
20″ x 20″ x 1.5″
acrylic and pencil on canvas

released relief

latitude
20″ x 20″ x 1.5″
acrylic and ink on canvas

latitude

pursuit
10″ x 10″ x 1.5″
acrylic, paper, and ink on wood panel

pursuit

tired and awake
4” x 4” in 9.5” x 9.5” frame
acrylic, hand-cut paper, and ink on canvas board

tired and awake

disruption
20″ x 20″ x 1.5″
acrylic, paper, and ink on canvas

disruption

undercurrent
4” x 4” in 9.5” x 9.5” frame
acrylic, hand-cut paper, and ink on canvas board

undercurrent

turbulence
6″ x 6″ x 1.5″
acrylic and pencil on canvas

turbulence

depth
20″ x 20″ x 1.5″
acrylic and ink on canvas

depth

spaces in between
4” x 4” in 9.5” x 9.5” frame
acrylic, hand-cut paper, and ink on canvas board

spaces in between

daylight spent
4” x 4” in 9.5” x 9.5” frame
acrylic and ink on canvas board

daylight spent

little hellos
4” x 4” in 9.5” x 9.5” frame
acrylic and hand-cut paper on canvas board

little hellos

lost and found
10″ x 10″ x 1.5″
acrylic, hand-cut paper, and ink on wood panel

lost and found

1 out of 5
10″ x 10″ x 1.5″
acrylic and ink on wood panel

1 out of 5

words to that effect
4” x 4” in 9.5” x 9.5” frame
acrylic, hand-cut paper, and ink on canvas board, framed

words to that effect

glimmer
9″ x 9″ x 1.5″
acrylic, paper, and ink on canvas, framed

glimmer

first winter
8″ x 8″
machine-cut paper over photograph

first winter

be, I do
12″ x 12″ x 1.5″
acrylic, hand-cut paper, and pencil on canvas

be, I do

nature nurture
12″ x 12″ x 1.5″
acrylic and ink on canvas

nature nurture

sound of silence
4” x 4”
acrylic, hand-cut paper, and ink on canvas board, framed

sound of silence

fall leaves fall
4” x 4”
acrylic, hand-cut paper, and ink on canvas board, framed

fall leaves fall

lucid dream
12″ x 12″ x 1.5″
acrylic, hand-cut paper, and ink on canvas

lucid dream

88 lines
12″ x 12″ x 1.5″
acrylic, hand-cut paper, and pencil on canvas

88 lines

twice removed
16″ x 16″ x 0.75″
photography, digital collage printed on metal

twice removed

shared memory 4
16″ x 16″ x 0.75″
Manipulated photography & digital collage printed on metal

shared memory 4

fluidity 4
12″ x 12″ x 1.5″
acrylic and ink on canvas

fluidity 4

fluidity 3
12″ x 12″ x 1.5″
acrylic and pencil on canvas

fluidity 3

pain electric 3
16″ x 16″
Manipulated x-ray + digital collage

pain electric 3

nineteen
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, and ink on canvas

nineteen

shared memory 3
16″ x 16″ x 0.75″
Manipulated photography & digital collage printed on metal

shared memory 3

fluidity 2
12″ x 12″ x 1.5″
Acrylic and pencil on canvas

fluidity 2

marked
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, and ink on canvas

marked

fluidity 1
12″ x 12″ x 1.5″
Acrylic, ink, and coffee on canvas

fluidity 1

pain electric 2
12″ x 12″
Manipulated x-ray + digital overlays

pain electric 2

home is not a place
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, and ink on canvas

home is not a place

m d f a
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, and ink on canvas

m d f a

identity shift
24″ x 6″ x 1.5″ (quadriptych)
Acrylic, ink, and embroidery on canvas

identity shift

the first eight
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, ink, and pencil on canvas

first eight

forever and always
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, ink, and pencil on canvas

forever and always

long road home
48″ x 24″ x 1.5″ (diptych)
Acrylic, hand-cut paper, and ink on canvas

long road home

joy
16″ x 16″
Photography and digital collage

joy

blurred time
24″ x 24″ x 1.5″
Acrylic and ink on canvas

blurred time

pain electric 1
12″ x 12″
Manipulated x-ray + digital overlay

pain electric 1

distance measured
24” x 24” x 1.5”
Acrylic, hand-cut paper, and ink on canvas

distance measured

forty-six now two
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, and ink on canvas

forty-six now two

after 8 there was 5
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, and ink on canvas

after 8 there was 5

shared memory 2
16″ x 16″
Manipulated film photography + digital collage printed on metal

shared memory 2

fourteen hundred
24″ x 24″ x 1.5″
Acrylic, hand-cut paper, and ink on canvas

fourteen hundred


Artist Bio & Statement

As a largely self-taught artist, I work primarily in 2 different types of media: traditional acrylic/mixed-media on canvas and digital art that frequently features my photography – both film and digital. The layered textures in my artworks are influenced by different facets of my life and travels.

Creating fine art was largely dormant in my life for over 20 years. Early in the lockdown during the global Covid pandemic, something awoke in me and I have been producing artworks regularly since. During that time, I made the bold move to the Detroit area from Texas where I had lived the first 46 years of my life. I have found in Detroit a resurgence in art that parallels my own in many ways. 

The layered textures in my art are influenced by different facets of my life and travels. Throughout my extensive travels in Latin America, I’ve been inspired by modern works steeped in history and a sense of identity. I love the expressive raw hand of street artists as well as the new modern masters like Basquiat and Cy Twombly. And I am certainly influenced by a 25+ year career in UX where I specialize in the design of large-scale, complex software. But mostly I am influenced by information and data…

We’re surrounded by massive amounts of data every day. Behind all data, behind the numbers, there are people and pieces of their lives. There are stories in the data. 

I add this storytelling element to all of my artwork – there are clues about people, ideas, words, dates, and locations in every piece. I invite my audience to find their own stories in the complex textures and data elements — it may be a mystery to solve or instant recognition. Hand-drawn lines act as conversation. Shapes act as snapshots of moments in time. The use of black represents an infinite, hopeful depth.

Themes common in my work center around change, distance, mental health (and illness), identity, and relationships. While still always juxtaposing hard-edged geometric shapes and naive mark-making on a more ethereal foundation, my art at the start of 2022 is coming out with a more gestural feel and starker contrasts.